Tasty Mystery Baskets of Clips

"The Godfather" ain't got nothing on my life.

Irish, Italian, what's the difference?

I don't want no trouble. Please.

What's your favorite song to do with Dino and the boys?

I've never felt so dirty in my life.

I'm a serious man, and I'm committed

one of the biggest-grossing movies of all time,

who knows not to shit where he sleeps.

Don't waste your time.

I happened to be at the right place at the right time

I brought you something. Oh, what, another scone?

I don't know why the hell we're doing this

Why not use another house?

and the Italian-American Civil Rights League?

I'm sorry, Bettye. I'm not.

Making movies has become too unpredictable.

Who? Don't ask.

COLOMBO: Is that Al Ruddy I hear?

That's not Steiger.

I need to do this on my own.

Joe. What are you doing here?

Hi. We put a bunch of Dons on tape.

in fact, all you want in life,

I might as well move to Boca.

You've been one for all of seven seconds.

Um, Francis wanted to be here,

[soft dramatic music]

This coming from a woman who's never built anything

More importantly, how do you feel about it?

That's how you make hit pictures.

that the picture is getting.

EVANS: You ungrateful fuck.

Known you guys for a very long time.

Both of those things he does, I think, quite masterfully.

that's constantly, constantly running.

that's his résumé.

Mr. Lovano, this is Al Ruddy, the producer of the film.

Come here, come here, come here.

EVANS: I said let's hear what you have to say.

was not to do an imitation of Brando,

I'll tell you what, Ol' Blue Eyes better start

I got my own family now.

We lost the Staten Island compound.

Look at those eyes.

[elevator bell dings]

You'd like to know my motivation

What does that have to do with anything?

[exhales deeply] Why'd you do it?

'Cause I did my homework. Oh, teacher's pet.

Billy is the best.

EVANS: I already live on a mountaintop.

for being here and sitting with you?

Charlie, can I get a minute?

So let me help you. We can do this together.

Irv. GOLDSTEIN: You're one lucky SOB.

I got it, I got it.

Well, what happened?

I don't want to produce with you.

he either, I don't know, tries to take over your movie,

ALL: To "The Godfather." To "The Godfather."

I mean, Sinatra, Biaggi,

I have something you need to see.

that's not what I was trying to do.

Everything okay?

She knows what she's doing, man.

It's-- It's all I see anymore.

No. I'm pretty sure that covers it.

Sinatra's still a problem for me.

We've got Steiger, Anthony Quinn, Ernest Borgnine.

That was kind of a weird toast.

It's about Pacino.

Or, "It's a joke," or whatever vapid remark

in almost a third of the book.

but artistic integrity, all this bullshit...

Ah, man, the area north of 120 is no good.

we can really get the ball rolling.

This is turning into a fucking fiasco.

Is there some place to go?

Finally getting going on this thing.

They called me a shrimp, these guys, right?

Forgive me, but when I was leaving your office,

You understand that?

[clears throat]

He wants to do it.

I'll even get him a fancy chair on set.

What do you have in mind, Frank?