Tasty Mystery Baskets of Clips

that the picture is getting.

I have something you need to see.

"The Godfather" ain't got nothing on my life.

one of the biggest-grossing movies of all time,

[elevator bell dings]

What's your favorite song to do with Dino and the boys?

You've been one for all of seven seconds.

Charlie, can I get a minute?

Mr. Lovano, this is Al Ruddy, the producer of the film.

I've never felt so dirty in my life.

Ah, man, the area north of 120 is no good.

You understand that?

This coming from a woman who's never built anything

COLOMBO: Is that Al Ruddy I hear?

Is there some place to go?

[exhales deeply] Why'd you do it?

Who? Don't ask.

I got it, I got it.

What does that have to do with anything?

in fact, all you want in life,

that's his résumé.

EVANS: You ungrateful fuck.

Look at those eyes.

I'm sorry, Bettye. I'm not.

for being here and sitting with you?

So let me help you. We can do this together.

Or, "It's a joke," or whatever vapid remark

She knows what she's doing, man.

who knows not to shit where he sleeps.

I don't know why the hell we're doing this

I got my own family now.

I'll even get him a fancy chair on set.

Forgive me, but when I was leaving your office,

Joe. What are you doing here?

Well, what happened?

It's about Pacino.

No. I'm pretty sure that covers it.

He wants to do it.

in almost a third of the book.

[soft dramatic music]

You'd like to know my motivation

Irv. GOLDSTEIN: You're one lucky SOB.

Making movies has become too unpredictable.

We lost the Staten Island compound.

Everything okay?

More importantly, how do you feel about it?

I'll tell you what, Ol' Blue Eyes better start

Come here, come here, come here.

Um, Francis wanted to be here,

Billy is the best.

I happened to be at the right place at the right time

that's constantly, constantly running.

Irish, Italian, what's the difference?

Both of those things he does, I think, quite masterfully.

They called me a shrimp, these guys, right?

and the Italian-American Civil Rights League?

I might as well move to Boca.

I don't want to produce with you.

I mean, Sinatra, Biaggi,

Known you guys for a very long time.

[clears throat]

I don't want no trouble. Please.

Hi. We put a bunch of Dons on tape.

that's not what I was trying to do.

That was kind of a weird toast.

I need to do this on my own.

I brought you something. Oh, what, another scone?

This is turning into a fucking fiasco.

'Cause I did my homework. Oh, teacher's pet.

he either, I don't know, tries to take over your movie,

we can really get the ball rolling.

What do you have in mind, Frank?

We've got Steiger, Anthony Quinn, Ernest Borgnine.

That's not Steiger.

Sinatra's still a problem for me.

I'm a serious man, and I'm committed

EVANS: I said let's hear what you have to say.

EVANS: I already live on a mountaintop.

Why not use another house?

Finally getting going on this thing.

Don't waste your time.

but artistic integrity, all this bullshit...

was not to do an imitation of Brando,

It's-- It's all I see anymore.

That's how you make hit pictures.

ALL: To "The Godfather." To "The Godfather."