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Tasty Mystery Baskets of Clips
I brought you something. Oh, what, another scone?
Who? Don't ask.
So let me help you. We can do this together.
that the picture is getting.
Who are you?
I'll tell you what, Ol' Blue Eyes better start
Um, Francis wanted to be here,
Well, what happened?
EVANS: You ungrateful fuck.
I don't want to produce with you.
What's your favorite song to do with Dino and the boys?
Finally getting going on this thing.
Irv. GOLDSTEIN: You're one lucky SOB.
You've been one for all of seven seconds.
We lost the Staten Island compound.
but artistic integrity, all this bullshit...
Mm.
'Cause I did my homework. Oh, teacher's pet.
Sinatra's still a problem for me.
I know that.
who knows not to shit where he sleeps.
They called me a shrimp, these guys, right?
You understand that?
[clears throat]
I have something you need to see.
Don't waste your time.
Mr. Lovano, this is Al Ruddy, the producer of the film.
Hi. We put a bunch of Dons on tape.
Why not use another house?
♪
Billy is the best.
I'm a serious man, and I'm committed
I don't know why the hell we're doing this
COLOMBO: Is that Al Ruddy I hear?
one of the biggest-grossing movies of all time,
I got my own family now.
that's his résumé.
Come here, come here, come here.
for being here and sitting with you?
Irish, Italian, what's the difference?
I mean, Sinatra, Biaggi,
I might as well move to Boca.
in almost a third of the book.
She knows what she's doing, man.
I've never felt so dirty in my life.
EVANS: I said let's hear what you have to say.
Uh, no. No.
It's-- It's all I see anymore.
What do you have in mind, Frank?
we can really get the ball rolling.
Known you guys for a very long time.
No. I'm pretty sure that covers it.
Making movies has become too unpredictable.
Tell me.
♪
I happened to be at the right place at the right time
More importantly, how do you feel about it?
ALL: To "The Godfather." To "The Godfather."
That's not Steiger.
[exhales deeply] Why'd you do it?
that's constantly, constantly running.
[soft dramatic music]
Both of those things he does, I think, quite masterfully.
Life, I guess.
It's about Pacino.
What happened?
"The Godfather" ain't got nothing on my life.
What does that have to do with anything?
I don't want no trouble. Please.
That's how you make hit pictures.
and the Italian-American Civil Rights League?
I'll even get him a fancy chair on set.
Fuck.
that's not what I was trying to do.
Forgive me, but when I was leaving your office,
Charlie, can I get a minute?
Everything okay?
BETTYE: Hello.
I got it, I got it.
I need to do this on my own.
Or, "It's a joke," or whatever vapid remark
We need hits.
That was kind of a weird toast.
Look at those eyes.
This coming from a woman who's never built anything
was not to do an imitation of Brando,
He wants to do it.
We've got Steiger, Anthony Quinn, Ernest Borgnine.
in fact, all you want in life,
Is there some place to go?
[elevator bell dings]
You'd like to know my motivation
EVANS: I already live on a mountaintop.
he either, I don't know, tries to take over your movie,
This is turning into a fucking fiasco.
Joe. What are you doing here?
I love it!
Fine.
Ah, man, the area north of 120 is no good.
I'm sorry, Bettye. I'm not.