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Tasty Mystery Baskets of Clips
I'll even get him a fancy chair on set.
I don't want no trouble. Please.
[soft dramatic music]
We lost the Staten Island compound.
Sinatra's still a problem for me.
You've been one for all of seven seconds.
he either, I don't know, tries to take over your movie,
Billy is the best.
we can really get the ball rolling.
What happened?
I need to do this on my own.
in fact, all you want in life,
That's not Steiger.
Who are you?
You'd like to know my motivation
COLOMBO: Is that Al Ruddy I hear?
who knows not to shit where he sleeps.
one of the biggest-grossing movies of all time,
Fine.
[exhales deeply] Why'd you do it?
♪
EVANS: I said let's hear what you have to say.
I'll tell you what, Ol' Blue Eyes better start
that the picture is getting.
Tell me.
that's his résumé.
Come here, come here, come here.
Uh, no. No.
Finally getting going on this thing.
♪
Both of those things he does, I think, quite masterfully.
He wants to do it.
More importantly, how do you feel about it?
It's about Pacino.
What does that have to do with anything?
Irv. GOLDSTEIN: You're one lucky SOB.
I know that.
Look at those eyes.
Who? Don't ask.
was not to do an imitation of Brando,
I mean, Sinatra, Biaggi,
Making movies has become too unpredictable.
What's your favorite song to do with Dino and the boys?
Or, "It's a joke," or whatever vapid remark
EVANS: I already live on a mountaintop.
I don't know why the hell we're doing this
I've never felt so dirty in my life.
They called me a shrimp, these guys, right?
and the Italian-American Civil Rights League?
Forgive me, but when I was leaving your office,
Joe. What are you doing here?
Fuck.
Mm.
Everything okay?
I'm sorry, Bettye. I'm not.
I'm a serious man, and I'm committed
This coming from a woman who's never built anything
I don't want to produce with you.
Hi. We put a bunch of Dons on tape.
Um, Francis wanted to be here,
that's constantly, constantly running.
This is turning into a fucking fiasco.
Is there some place to go?
So let me help you. We can do this together.
I love it!
I got it, I got it.
It's-- It's all I see anymore.
that's not what I was trying to do.
Charlie, can I get a minute?
but artistic integrity, all this bullshit...
Don't waste your time.
in almost a third of the book.
"The Godfather" ain't got nothing on my life.
We need hits.
Irish, Italian, what's the difference?
I got my own family now.
Known you guys for a very long time.
for being here and sitting with you?
ALL: To "The Godfather." To "The Godfather."
Mr. Lovano, this is Al Ruddy, the producer of the film.
'Cause I did my homework. Oh, teacher's pet.
EVANS: You ungrateful fuck.
Why not use another house?
That was kind of a weird toast.
[elevator bell dings]
What do you have in mind, Frank?
She knows what she's doing, man.
[clears throat]
Ah, man, the area north of 120 is no good.
Life, I guess.
I have something you need to see.
BETTYE: Hello.
I brought you something. Oh, what, another scone?
You understand that?
We've got Steiger, Anthony Quinn, Ernest Borgnine.
No. I'm pretty sure that covers it.
That's how you make hit pictures.
Well, what happened?
I might as well move to Boca.
I happened to be at the right place at the right time