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Tasty Mystery Baskets of Clips
I have something you need to see.
BETTYE: Hello.
This coming from a woman who's never built anything
You'd like to know my motivation
Look at those eyes.
It's about Pacino.
Fuck.
Hi. We put a bunch of Dons on tape.
I brought you something. Oh, what, another scone?
that the picture is getting.
You understand that?
I've never felt so dirty in my life.
I mean, Sinatra, Biaggi,
You've been one for all of seven seconds.
I got it, I got it.
and the Italian-American Civil Rights League?
I don't know why the hell we're doing this
I know that.
he either, I don't know, tries to take over your movie,
♪
Forgive me, but when I was leaving your office,
Charlie, can I get a minute?
What's your favorite song to do with Dino and the boys?
No. I'm pretty sure that covers it.
Come here, come here, come here.
This is turning into a fucking fiasco.
[exhales deeply] Why'd you do it?
We need hits.
That's how you make hit pictures.
'Cause I did my homework. Oh, teacher's pet.
What do you have in mind, Frank?
[clears throat]
EVANS: I already live on a mountaintop.
we can really get the ball rolling.
Sinatra's still a problem for me.
COLOMBO: Is that Al Ruddy I hear?
one of the biggest-grossing movies of all time,
I got my own family now.
"The Godfather" ain't got nothing on my life.
for being here and sitting with you?
Life, I guess.
I'm sorry, Bettye. I'm not.
that's constantly, constantly running.
I don't want to produce with you.
[soft dramatic music]
We lost the Staten Island compound.
Known you guys for a very long time.
Everything okay?
Mr. Lovano, this is Al Ruddy, the producer of the film.
EVANS: I said let's hear what you have to say.
She knows what she's doing, man.
♪
I'll tell you what, Ol' Blue Eyes better start
that's his résumé.
Billy is the best.
It's-- It's all I see anymore.
Ah, man, the area north of 120 is no good.
but artistic integrity, all this bullshit...
Who? Don't ask.
I happened to be at the right place at the right time
I'll even get him a fancy chair on set.
Who are you?
I might as well move to Boca.
who knows not to shit where he sleeps.
Finally getting going on this thing.
was not to do an imitation of Brando,
Why not use another house?
They called me a shrimp, these guys, right?
Or, "It's a joke," or whatever vapid remark
Don't waste your time.
Is there some place to go?
He wants to do it.
Fine.
Uh, no. No.
Well, what happened?
Joe. What are you doing here?
[elevator bell dings]
Both of those things he does, I think, quite masterfully.
What happened?
I'm a serious man, and I'm committed
Mm.
Tell me.
More importantly, how do you feel about it?
ALL: To "The Godfather." To "The Godfather."
EVANS: You ungrateful fuck.
What does that have to do with anything?
That's not Steiger.
Irish, Italian, what's the difference?
I don't want no trouble. Please.
Making movies has become too unpredictable.
that's not what I was trying to do.
in almost a third of the book.
We've got Steiger, Anthony Quinn, Ernest Borgnine.
I need to do this on my own.
Irv. GOLDSTEIN: You're one lucky SOB.
in fact, all you want in life,
Um, Francis wanted to be here,
So let me help you. We can do this together.
I love it!
That was kind of a weird toast.