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Rebecca (1940)

3s

She was beaten in the end, but it wasn't a man, it wasn't a woman.

Blowup (1966)

2.8s

Money's always a problem, isn't it?

Rebecca (1940)

3.8s

and, oh, all the things that are so important in a woman.

Rebecca (1940)

3.1s

Tell me what else a woman of her class be doing in a dump like this?

Rebecca (1940)

1.9s

It should be in a conservatory,

Charade (1963)

4s

- That's all right. It’s a drip-dry. - [ Sighs ]

Blowup (1966)

4.2s

This is a public place. Everyone has the right to be left in peace.

Rebecca (1940)

1.9s

to represent a soul in torment.

Rebecca (1940)

2.5s

but I can assure you that it is not the note of a woman...

Charade (1963)

2.7s

No. Swing down from there on a rope to save the woman you love.

Charade (1963)

1.9s

Well, it sounds right. You going to call me?

Rebecca (1940)

3.5s

It's usual for ladies in your position to have a personal maid.

Rebecca (1940)

2.5s

She had a right to amuse herself, didn't she?

Charade (1963)

2.8s

It doesn't sound like the sort of thing a young woman can handle by herself.

Charade (1963)

3.3s

Tell him I'm trapped in a phone booth right below him in the metro station.

Rebecca (1940)

2.6s

with a beautiful house on it, right by the sea.

Rebecca (1940)

2.2s

There you have it in a nutshell, Danny.

Rebecca (1940)

3.6s

to make people feel that Manderley is just the same as it always was.

Rebecca (1940)

3.1s

I've read enough detective stories to know that there must always be a motive.

Charade (1963)

2.7s

It’s enough to make you a vegetarian, isn't it?