in a way that, you know, we just can't do.

When you see a terrorist on television, he looks just like a terrorist.

Well, didn't George tell me that you were gonna do a play that was based on The Little Prince?

Because that's what you do, out of habit?

Now, do you think we're living like that?

which is that you do whatever your impulse, as the character, tells you to do...

You do it alone, you see. That seems quite certain, you see.

Uh, the Galuska - How - How do you prepare that?

Why do you think we're not living like that?

you can really feel that you're on firm ground, you know.

You know what I mean? I mean, I can't quite put my finger on it.

Well, why - why do you think that is? I mean, why is that?

Because, you see, I think that if you put on serious, contemporary plays...

we tried doing an improvisation - you know, the kind that I used to do in New York.

because you just can't believe that a group of people who don't know how to sing...

without having any particular thing that you were supposed to be doing.

See, I think a time comes when you need to do that.

that unless, you know, you're putting on those sort of superficial plays...

you feel for a moment that you've got your hands on something.

I mean, do you realize, Wally, if you brought that situation into a Tibetan home -