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Background
Contact (1997)
3.4s
It's two different interlaced frames. I'm framing one.
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Contact (1997)
2.7s
Roger, Control. I'm ready.
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Contact (1997)
2.7s
Roger. The pad is a go.
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Contact (1997)
2.5s
Roger, David. It's looking good here.
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Contact (1997)
2.6s
- Mechanical, you still happy? - Roger that.
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Contact (1997)
2s
- Mechanical, you still okay? - Roger, chief.
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Contact (1997)
2.8s
- It's just noise. - Trying frame two.
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Contact (1997)
3.7s
...for physics, geometry, chemistry. Next frame, Ellie.
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Contact (1997)
3.2s
- Forty percent normal acceleration. - Roger, confirm 40 percent.
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Contact (1997)
3.2s
Roger that. Ellie, this is Control. Do you copy?
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Contact (1997)
3.4s
- Roger. Gerry, what do you think? - I'm still go.
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Contact (1997)
3.3s
...interlaced with the frames of the original Hitler image...
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Contact (1997)
2.8s
You know those interlaced frames that we thought were noise?
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Contact (1997)
1.4s
Someone who...
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Contact (1997)
4.2s
The Adolf transmission used 25 frames per second but we're receiving 50.
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Contact (1997)
2.5s
We found a series of markers on the top of each frame.
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Contact (1997)
1s
Who gets to go?
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Contact (1997)
1.5s
Who gets to go, though?
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Contact (1997)
2s
...who doesn't believe in God.
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Contact (1997)
2.3s
...who we lovingly call Elmer.
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1990
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Contact (1997)