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Rope (1948)

3.5s

He might be any number of places, such as the club,

Rope (1948)

4.4s

He went to the club. I know he got there. Why?

Rope (1948)

3.6s

He used to tell you the weirdest things. What sort of things?

Rope (1948)

4.8s

Obviously, David ran into someone at the club who changed his plans.

Rope (1948)

4.4s

I'd invite him for a drink at the club or some quiet bar,

Rope (1948)

3.7s

We're just moving the things in here.

Rope (1948)

4.4s

Our maid spoke to him. He was at the club, studying for his examinations.

Rope (1948)

3.3s

He's the one man who might appreciate this from our angle, the artistic one.

Rope (1948)

2.2s

Take the other one. What for?

Rope (1948)

3.3s

On this thing, there isn't half the room.

Rope (1948)

3.3s

because one of the subjects suddenly rebelled.

Rope (1948)

3.6s

Talking of skeletons, have you seen that new thing at the Strand?

Rope (1948)

4.6s

Why? Didn't I notice another new one in the foyer?

Rope (1948)

3.6s

not one of the seven lively, perhaps, but an art nevertheless.

Rope (1948)

3.3s

I seem to be the only one having a good time.

Rope (1948)

3.9s

It's odd the way one can pyramid simple facts into wild fantasies.

Rope (1948)

4.9s

he'll be out of here in five minutes, one way or the other.

Rope (1948)

4.3s

That's a good idea. May I have one for the road? Of course.

Rope (1948)

4s

One was always turning up in the bedtime stories he told in prep school.

Rope (1948)

3.9s

Of all the people on this Earth, Rupert Cadell is the one man most likely to suspect.