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Rope (1948)

3.7s

We've killed for the sake of danger and for the sake of killing.

Rope (1948)

4.3s

that moral concepts of good and evil and right and wrong...

Rope (1948)

2.9s

I apologize for both of us and the story.

Rope (1948)

3.3s

The few are those men of such intellectual and cultural superiority...

Rope (1948)

4.4s

down the back stairs, and the two of us would put him into the car.

Rope (1948)

2.9s

Now, take these and get ahold of yourself.

Rope (1948)

3.2s

and a pair of seats in the first row is yours for the shooting.

Rope (1948)

3.1s

You may, and I do. Think of the problems it would solve:

Rope (1948)

2.4s

and for the standards of a world that I believe is civilized.

Rope (1948)

2.7s

You agree with Nietzsche and his theory of the superman. Yes, I do.

Rope (1948)

2.6s

Both of them must have got up out of the wrong side of the bed.

Rope (1948)

3.9s

but get hold of yourself and keep your mouth shut.

Rope (1948)

2.3s

of the blunt instrument department.

Rope (1948)

3.9s

And I can help. You're going to die, Brandon, both of you!

Rope (1948)

2.2s

Notice what? The rope, of course.

Rope (1948)

1.9s

A flick of the knife, madam,

Rope (1948)

3s

It's more; it's the signature of the artist.

Rope (1948)

3.9s

with the right to live and work and think as individuals,

Rope (1948)

2.5s

And Bergman! She's the Virgo type!

Rope (1948)

3.4s

Good and evil, right and wrong were invented for the average man;