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Rope (1948)

3.7s

We've killed for the sake of danger and for the sake of killing.

Rope (1948)

2.9s

I apologize for both of us and the story.

Rope (1948)

4.4s

down the back stairs, and the two of us would put him into the car.

Rope (1948)

3.2s

and a pair of seats in the first row is yours for the shooting.

Rope (1948)

3.3s

The few are those men of such intellectual and cultural superiority...

Rope (1948)

4.3s

that moral concepts of good and evil and right and wrong...

Rope (1948)

3.1s

You may, and I do. Think of the problems it would solve:

Rope (1948)

2.4s

and for the standards of a world that I believe is civilized.

Rope (1948)

2.6s

Both of them must have got up out of the wrong side of the bed.

Rope (1948)

2.3s

of the blunt instrument department.

Rope (1948)

2.7s

You agree with Nietzsche and his theory of the superman. Yes, I do.

Rope (1948)

3s

It's more; it's the signature of the artist.

Rope (1948)

2.2s

Notice what? The rope, of course.

Rope (1948)

1.9s

A flick of the knife, madam,

Rope (1948)

2.2s

That's the difference between us and the ordinary men.

Rope (1948)

2.5s

And Bergman! She's the Virgo type!

Rope (1948)

4s

He gave the party the touch I predicted. The touch of what?

Rope (1948)

2.2s

The rest of the things'll be here in two shakes.

Rope (1948)

3.4s

I'd walk slowly out of the room into the hall.

Rope (1948)

2.9s

Now, take these and get ahold of yourself.