Tasty Mystery Baskets of Clips

What kind of details?

Ah, I never know how to answer that question.

with his other symphonies.

I can see that.

I assumed you were aware.

You know, that sort of thing.

Now, the big question for you is:

Why do you keep him on?

on someone else's red and blue pencil.

more about the way we feel than a million words can.

Oh. I'm considering a few names,

that Bernstein gave you, what would it be?

-Someone you aspire to be yourself. -Mm-hmm.

there is some merit in examining Max's allergy.

-You have child, yes? -Mm-hmm.

SEBASTIAN: (grunts) Maestro.

Why do you insist on holding things up like that?

I didn't think they'd be this far inland.

of that horrible place you still can't let go of.

let's consider Max's thing.

(pills rattling)

uh, Laurence Equilbey and Nathalie Stutzmann.

is urgently focused on our table.

You know, we can go somewhere else.

Your dynamic marking is higher than that of the first violin.

But given how much is gonna be asked of you with the Mahler,

... if I can keep the fat off until next month.

for his Planet of the Apes score.

How cruel of you to define our relationship as transactional.

TÁR: I'm fine.

always going somewhere, shifting and changing

and she was exiled to Soviet Union.

Uh, don't worry. I'll just come down.

-Thank you. -(cell phone vibrates)

Thank God I was never pulled from the podium

Isn't he marvelous?

Okay? It's not... (vocalizing)

who reportedly, uh, used a, uh, rather enormous,

(loudly, off-key): ♪ Apartment for sale ♪

You've damaged some nerves.

And we don't have to know a lot of stuff about sharps

Money can't always buy you everything.

Okay, I got, I gotta go.

TÁR: Two-faced little bitch.

You have a child together,

(chuckles) Thank you.

-Thank you. -Good choice.

TÁR: Good. Okay, good.

Let's just keep working.

(Sharon breaths deeply, sighs)

It's... It's racing.

is on the cover of the manuscript itself.

(chiming stops)

Now, to be fair, I mean,

RADIO ANNOUNCER: Michael Tilson Thomas... (speaks German)

TÁR: You seen my performance score?

Hopefully, there's still time.

SHARON: No. Why? Isn't it with the other ones?

for the National Youth Poet Laureate Award.

in, uh, describing those actual sounds.

(bell chiming in distance)

Where are we at with DG?

I know my place.

Oh, I'm sorry. Please come in.

(gentle melody plays)

-Oh. -(chuckles) Okay.

(instruments warming up)

BOTH: "We'll bear the pall."

Or rather, the couch

"Top or bttm?" "I'm open-minded"

-(grunts) -(orchestra plays deep note)

(sets glass on table)

HANSEN: And now, more from NPR.

The clarinet is marked piano, and we are marked pianissimo.

Met the new cellist today.

so the Kaplan Fund is gonna buy some radio

if we were to hold auditions?

(playing simple melody)

Not-not at all.

It's perfect, Aldo.

Great. All right, please, join the other fellows.

I'd only just arrived here with Andris,

I've had to bolt-hole at my old place in town

(sighs) You must have some New Haven friends

are also studying composition?

Yes, but not as Kapellmeister.

-Should've seen the other guy. -(quiet laughter)

Is there anything I could show you

(bell chiming in distance)

Didn't even have to hold her foot.

he's still gonna have to audition.

I mean, there's incredible atonal tension.

And some of those feelings are so special and so deep

KNUT: Okay. Danke.

is in rehearsal.

-Yeah. -All right, okay.

-Yeah, but it's... -But keeping time,

is try to understand that very complex marriage.

that I find so incredible, that when I'm conducting,

-Oh. -(sniffles)

You know, women who did the-the real lifting.

who came before us.

The principal violinist came up to me

Denazification.

Eleanor lives now in a facility in Neukölln.

uh, we'll have to bring the hot lights

(crowd murmuring)

But this is my home.

Besides, I'm not sure what Sharon would do,

"And in this way, holy and unknowable.

I'm probably the wrong person to ask

Give me some eyes.

Just think about it.

He's a... he's a strange guy.

who have won all four major entertainment awards:

Because now, my friends,

My motives are not entirely altruistic.

Yeah, that's true.

long after my book has been forgotten.

Yeah, me, too. I'll... probably do the same.

are-are you absolutely certain about Sebastian?

Let's slow this down to 60 beats a minute.

... I will have to go with someone more, more experienced.

How long would it take to get a bottle of water?

I'd like to talk about that.

-(Eliot chuckles) -Felt like Max Bruch.

Come on. Take a break.

-Don't you think you should have? -Yes. Yes.

I'll send it to the publisher.

I was, uh, I was attacked.

N-No less, um, having fallen off its horse.

when the classical music community,

... complicate things for you?

-(playing dramatic melody) -(quietly): Okay.

-(excited chatter) -MAN: Yeah.

-I'm sorry. -No.

and suddenly the impossible was possible.

There is the very nice place I know.