Tasty Mystery Baskets of Clips

I mean, it's... I was there at the wrong time

- Right. This wall. - This wall?

with another West Coast street artist.

Banksy turned a spot of hit-and-run vandalism

[dramatic choral music]

That one's from the show in L.A.

was nothing less than a sensation.

with his quest to capture the world of street art

All right, go ahead.

up on Hollywood Boulevard.

He was my guy after that.

That makes the rest of the rooms look bad.

Excuse me, sir?

# Don't let fear of me then fool you #

[hard rock guitar]

# These lights in our hearts #

Not that, no. That's graffiti.

but only my hands, from behind,

with no evidence to hold him,

You know, I felt like I should capture everything on film,

one life to another.

when he got his camera out.

of their creative process.

You should probably put an invader

and he left me with the tapes.

Shepard's experiment with the power of repetition

or they... even if they do have it,

And from that things,

he could always employ people who did.

it seemed to be a very, very serious thing indeed.

[distant sirens wailing]

I'm not gonna arrest you.

# From our vision and our goals #

You're, like, telling me

stayed with him.

Because it's like, you know...

[jazzy piano music]

And I liked it, so I went to Kinko's,

[in a distorted voice] Uh, well, the film is the story

of the enterprise he had embarked upon.

along with a few of the show's other producers.

Sometime I don't even write anything.

commemorate his life.

Like, they said that I'm as good as that, you know?

invite a few people, get some bottles of wine?

for his debut show, Life is Beautiful.

beginning to resemble an art gallery.

One, two, three.

I mean, it's not Gone with the Wind,

NARRATOR: But instead, Thierry busied himself

NARRATOR: While Thierry schemes to find a way

attracting sudden interest from the art establishment.

And they won't know.

And it's not that it was so many people;

That's enough. Stop recording.

You don't know?

came into my hand,

after the high of his scoop with Banksy.

is all about brainwashing.

What you doin', bud?

How am I gonna make it? How am I gonna make it?

that maybe Thierry wasn't actually a filmmaker

[atmospheric electronic music]

but, sweetie, it's all around us.

because for me, it's an important part of the job

There is a guy here, a guy there...

on the grand debut of Mr. Brainwash.

I start to make copies, make it bigger,

and, How are you, my darling?

a little piece of that, a little piece of that,

and he had a massive larder.

That's an art. That's an art.

It's really big.

and asked them if they could help me,

It's a painting.

I think maybe Thierry

It's a very dangerous thing.

he could get me whatever I wanted;

one of the most expensive artists in our generation today,

they didn't understand.

and become a street artist himself.

who could keep him in steady thrills

And the insurance?

When I go with the artist, I'm just living them life.

what Thierry had in mind for his modest contribution.

Then remove it, because you guys got to go.

I don't think Thierry played by the rules,

He attached it to the metal bars,

now taking care of the practical arrangements,

He never went anywhere without a video camera.

at the wrong moment, you know.

I came, picked him up.

what was right in front of them

because he said he'd nearly finished the film,