Tasty Mystery Baskets of Clips

That's right. Sounds like the best party in town.

You ever been on a movie set before?

Why would I do that if you won't be able to use it? You told me to do it quiet.

[engine off] [Manny] Do you need anything?

I'm not... I'm just gonna...

[sobbing] Please be nice to me, Manny.

[guest 2] I'm not surprised. She never had any talent anyway.

I always wanted to go on a movie set.

And that's Noah's Ark?

[laughing continues]

Teachers told me I was no good. Boys told me I was no good.

Yeah. I just have one question.

and feel he knows you, like... like a friend,

[door opens] [car horn honks]

Joe, you hear what he just said to me? Listen to this psychopath.

What's he telling you? What was he saying to you?

Ina's mom always said,

Up. Up. Up. Up. Up. Up.

Now go over, put it in the pot. Scream like a big, fat pig.

Jack, do something!

have him ask her name and have her reply,

How's the guest list looking for tonight?

Stop! [pats window]

Fine. Get the wrangler.

You're trying to bury the pain.

We're still having a problem with the firing mechanism.

You've been given a gift. Be grateful.

I know it hurts.

[cheering, chanting continue]

It was incredible! I just... How do you do it?

Exactly! This is how we make the money back.

Spain. Madrid. Wow.

How many movies have we done together now?

Teddy and I saw Cottage Blues last week.

Listen, I'm not asking you to fuck him.

you know what the signs on all the doors read?

as your humble servant bears witness

You fucking whore! I love you.

Someone said Garbo, I think. Oh, yeah?

What are the schlongs like on Broadway? You want some?

and then you head to the phone, do the rest of the dialogue.

Camera! Camera! Yeah.

Well, I'd like to work with you too.

[Robert] Here we go.

It's only 2:00. Don wanted to save the elephant.

Is she here tonight? Can you point her out to me? Uh...

Hurry the fuck up!

[stomach gurgling]

[slow jazz playing]

It is truly an honor to meet you.

Find it on that horizon. Yeah.

You know I can't afford to get injured, Joe.

Yes, sir. You got a permit?

He saved my life.

Tony. The prop guy.

[Jack] This is what we've been looking for!

[gears grinding]

And all I do is I give and I give! Pedro!

Ah, people want the kiss, we give them the kiss. [cork pops]

[water running]

She'll do it for cheap.

You're still the kid I met 20 years ago, you know.

Cut! [bell rings]

Nellie, we did it, okay?

A few minutes' drive. Wilson and I can take you there and back.

Hear what I said? Yeah, I heard.

There's no exit except down the main staircase.

Oh, okay. Yeah, sure, I mean, if you have half an hour to spare.

Just one more drink for old time's sake.

And she has no idea it'll end like all the others.

for your pretentious Eugene O'Neill-Henrik Ibsen jerk-offs

Yes, she is lovely and very talented.

He's supersmart with words.

Just next time say, "The Count."

Imagine me at the opera? That would've made Ina's folks happy.

Claire. Well, Claire's a lesbian.

you sick fucks!

Let's do a title here.

You could be a star again, Nellie. Again. It's you and me.

I hate when people put fucking toppings on ice cream.

You chickenshit...

Like the ladies of MGM.

[elephant groaning]

Fine. Close-up on Constance.

Well, put the kid on it.

Up. Up. Rest of the body doesn't move.

[crew member] And camera! [camera clattering]

My camera's here! My camera's here!

So, we give him the bag, he calls McKay, and the threat against Nellie is off.

Because I know that you've been trying to get my career going.

Exactly! Exactly! You can be in their life.

Would you like me to tell you?

Gloria? Jack Conrad. Listen, I need some advice.

We'd better hurry.

All right, places, everyone!

[audience cheering]

No, 18th. Thursdays are always classier.

when they can't see there's so much more to be done!

[tires screeching]

Yeah, it's only one, right?

Suck a dick, Señor Avocado.

[sniffles, speaking Spanish]

[The Count] Hey. [Manny] Hi.

[elephant trumpeting] [all clamoring]

There is no why.

Nell, why don't we just... Is it okay...

Bob, come on! Bob! I'm gonna cut you up!

It's probably the ether. It's...

One drink and we leave. Right after this we leave.

I'm at peace with that.

[sighs] Stupid...

I love you, Manny.

Hey, Josie! Hey, Nana!

[George] That's true.

Scene 17, take six. Mark.

Every fucking casting director in the city told me

Uh-huh. How'd you like to leave MGM,

Come on. Okay, no problemo.

Camera boy! The camera boy! You saved my movie!

[crying, speaking Spanish]

It's you who gives me life.

We were just having fun! [sobbing]

Nellie! [all gasping]

this time with the Hungarian vixen, Olga Putti.

No. No, no, no, no. No. No, no.

Hey, Count? Count? [snaps fingers]

there's a 10-year-old kid and he's a prodigy at all these adult things.

I can move it right now. My whole year is wide open.

And camera! And sound!

Uh, Spain. Madrid.

Hiya. I'm Nellie LaRoy.

We've got an eight-part sign-out process. Let me go try to find a pen.

Nellie, we have to leave now!

I thought they were in Mexico.

For the 2709. I can do that. Thirty minutes.

Okay, everyone, a reminder.

I meant to call you. The reds chill her out.

Manny, you're scaring me. I need another hit.

Well, the girl seems nice.

Marion Davies stutters a bit. Maybe supporting roles from now on?

No, it's not fun. Yes, it is.

It's closed. I know it's closed!

You'll never forget it.

It's 25 for the vehicle and 30 for the transport of the livestock.