Tasty Mystery Baskets of Clips

[water running]

Suck a dick, Señor Avocado.

Stop! [pats window]

No. No, no, no, no. No. No, no.

Yes, she is lovely and very talented.

It's 25 for the vehicle and 30 for the transport of the livestock.

No, it's not fun. Yes, it is.

Fine. Get the wrangler.

when they can't see there's so much more to be done!

Just one more drink for old time's sake.

and feel he knows you, like... like a friend,

Yeah, it's only one, right?

Why would I do that if you won't be able to use it? You told me to do it quiet.

We were just having fun! [sobbing]

[elephant groaning]

Exactly! Exactly! You can be in their life.

Bob, come on! Bob! I'm gonna cut you up!

It's probably the ether. It's...

I love you, Manny.

you sick fucks!

Listen, I'm not asking you to fuck him.

Manny, you're scaring me. I need another hit.

It's closed. I know it's closed!

[laughing continues]

[tires screeching]

I always wanted to go on a movie set.

Hey, Josie! Hey, Nana!

He saved my life.

Is she here tonight? Can you point her out to me? Uh...

You chickenshit...

[sniffles, speaking Spanish]

Someone said Garbo, I think. Oh, yeah?

And that's Noah's Ark?

No, 18th. Thursdays are always classier.

All right, places, everyone!

Let's do a title here.

[cheering, chanting continue]

[George] That's true.

Oh, okay. Yeah, sure, I mean, if you have half an hour to spare.

[sighs] Stupid...

[Robert] Here we go.

There is no why.

Every fucking casting director in the city told me

Camera boy! The camera boy! You saved my movie!

Find it on that horizon. Yeah.

You've been given a gift. Be grateful.

I can move it right now. My whole year is wide open.

[The Count] Hey. [Manny] Hi.

Just next time say, "The Count."

How's the guest list looking for tonight?

How many movies have we done together now?

We'd better hurry.

Nellie, we have to leave now!

Ina's mom always said,

That's right. Sounds like the best party in town.

and then you head to the phone, do the rest of the dialogue.

You'll never forget it.

Teachers told me I was no good. Boys told me I was no good.

[crew member] And camera! [camera clattering]

Jack, do something!

You know I can't afford to get injured, Joe.

You're still the kid I met 20 years ago, you know.

Cut! [bell rings]

You fucking whore! I love you.

One drink and we leave. Right after this we leave.

Up. Up. Rest of the body doesn't move.

Joe, you hear what he just said to me? Listen to this psychopath.

Spain. Madrid. Wow.

Imagine me at the opera? That would've made Ina's folks happy.

Hey, Count? Count? [snaps fingers]

Claire. Well, Claire's a lesbian.

Marion Davies stutters a bit. Maybe supporting roles from now on?

[sobbing] Please be nice to me, Manny.

He's supersmart with words.

[guest 2] I'm not surprised. She never had any talent anyway.

[elephant trumpeting] [all clamoring]

Exactly! This is how we make the money back.

What are the schlongs like on Broadway? You want some?

Nellie, we did it, okay?

Come on. Okay, no problemo.

[gears grinding]

have him ask her name and have her reply,

My camera's here! My camera's here!

It's you who gives me life.

And camera! And sound!

Hurry the fuck up!

And all I do is I give and I give! Pedro!

It's only 2:00. Don wanted to save the elephant.

this time with the Hungarian vixen, Olga Putti.

It is truly an honor to meet you.

Like the ladies of MGM.

There's no exit except down the main staircase.

for your pretentious Eugene O'Neill-Henrik Ibsen jerk-offs

So, we give him the bag, he calls McKay, and the threat against Nellie is off.

I hate when people put fucking toppings on ice cream.

[stomach gurgling]

Yes, sir. You got a permit?

And she has no idea it'll end like all the others.

I thought they were in Mexico.

You ever been on a movie set before?

I'm not... I'm just gonna...

[audience cheering]

You could be a star again, Nellie. Again. It's you and me.

I'm at peace with that.

you know what the signs on all the doors read?

[Jack] This is what we've been looking for!

Teddy and I saw Cottage Blues last week.

Would you like me to tell you?

A few minutes' drive. Wilson and I can take you there and back.

[engine off] [Manny] Do you need anything?

[crying, speaking Spanish]

[door opens] [car horn honks]

We're still having a problem with the firing mechanism.

Hear what I said? Yeah, I heard.

Well, put the kid on it.

Now go over, put it in the pot. Scream like a big, fat pig.

Uh, Spain. Madrid.

It was incredible! I just... How do you do it?

Tony. The prop guy.

there's a 10-year-old kid and he's a prodigy at all these adult things.

Because I know that you've been trying to get my career going.

Okay, everyone, a reminder.

Camera! Camera! Yeah.

Yeah. I just have one question.

Nellie! [all gasping]

Gloria? Jack Conrad. Listen, I need some advice.

I know it hurts.

Scene 17, take six. Mark.

We've got an eight-part sign-out process. Let me go try to find a pen.

Ah, people want the kiss, we give them the kiss. [cork pops]

Up. Up. Up. Up. Up. Up.

You're trying to bury the pain.

as your humble servant bears witness

Nell, why don't we just... Is it okay...

Well, I'd like to work with you too.

Well, the girl seems nice.

[slow jazz playing]

What's he telling you? What was he saying to you?

She'll do it for cheap.

I meant to call you. The reds chill her out.

Uh-huh. How'd you like to leave MGM,

Fine. Close-up on Constance.

Hiya. I'm Nellie LaRoy.

For the 2709. I can do that. Thirty minutes.