Tasty Mystery Baskets of Clips

[laughing continues]

I'm the animal? What is this shit?

I'm in so much trouble and I really need your help.

Jesus, fuck! Cut!

Well, to be fair, George, you did just meet her a week ago.

Um, well, we're... I work for Don Wallach,

[music stops] [grunting]

Everyone will look at him. No one will look at her.

I need big tears! Big! You got it? Okay, yeah.

Can't drive an elephant without a permit.

so they're pretty violent. [Otto] ...you fucking assholes!

A fucking flop!

One day, you and me, we're gonna be on a movie set.

There's nothing you can do.

Who the fuck is this? I asked for the girl with the tits.

The South is big money. That's half the revenue lost.

[opera playing on phonograph]

It's not "Manuel," it's "Manny." Manny Torres.

I don't have that... I don't have that money.

Come on, buddy, get your head out of there. Let's go get a drink.

Why would Conrad send you here? God.

[clock ticking]

Welcome to the asshole of Los Angeles.

I knew Proust, you know.

How do you do? [Jack] What's your excuse?

Can you believe this, Manny?

Because Nellie felt lighter on her feet that time.

[snorts, spits]

[speaks Italian]

[upbeat jazz playing]

the studio will shut the picture down

Action. [squeaks]

[grunts] Is that the last one?

While it's raining. Yeah.

You gotta go through the ballroom. Everyone will see her.

Jack Conrad? Yeah, I'm working with him.

A child born in 50 years

He's just made for the movies, isn't he?

But you never do.

And some pills, please?

Motherfucker! Who opened the door?

The band looks mixed. What do you mean?

Not Manuel, okay? [assistant] Phone for you, sir!

Alright imma head out

[club host] And introducing tonight,

Everyone, run! Run!

[audience laughing]

[rattling continues] Whoo!

He shows up with a mime.

Tim. Tim, you're fired.

Yeah, okay. Bye.

Can we go? I'm gonna have a fucking heart attack in here.

so now they have to be my slaves for the night.

[tires screeching]

Holy shit! Is that a fucking elephant? Señor, señor, señor.

I need a red one. Yeah, yeah.

I've known loss. I've known pain.

[car horns honking]

Um... [snaps fingers]

Your time today is through,

For your entertainment this evening,

He did have a drinking problem.

into the medieval plains of Iberia.

We need Spanish-language pictures. We're taking new directions.

I'm not here for drinks and fun, okay? I'm in your debt.

[crowd clamoring]

...the call said "one..."

Back off! Back off!

[fan 3] Nellie, please can I have your autograph?

Who sneezed? Who the fuck sneezed?

Porky thought it was lube.

Say one more word in Italian, and I will divorce you.

[guest 1] Oh, my God. Zero.

You mean "really big horse"?

The car is not mine.

Now laugh in embarrassment. [laughing]

♪ My girl's pussy ♪

All right. Hey, Lloyd? Yeah.

Jen, I'd always look your way.

They can save your career. They don't like me!

[Jack] Progress comes in fits. [screams]

Girl on bar, look at Miss Moore.

Yeah, I mean, Chaplin is hung for sure,

[Elinor] Thank you.

[stammering] No, no, no, no, no!

Just stand there and sing? Exactly.

[chuckles] Okay.

[elephant trumpets]

So, what I would suggest there would be to play subtext rather than...

But you can't hold back that one final tear!

Okay, I feel better.

Thalberg. People go to movies not to listen to the noise.

Haven't seen you there in a while.

Here we have a pâté de campagne designed by Krümt with a Takagei bubble.

Do you hear that? [Nellie] For fuck's sake.

We got to dream beyond these pesky shells of flesh and bone.

Up. Up. Up. Up. Up. Up.

It's you who gives me life. [snorts]

This is the only place left where you can have any fun these days.

He died a couple of years ago. I met him once.

[clears throat, inhales sharply]

Eighty-two. That's right.

[Manny] Gentlemen, here's the plan.

Tell him you were asking after him.

We're just looking. Thank you.

So we going again?

[crowd gasps, murmuring]

[Jack] Moving up fast. Jack? I'm sorry.

Jack. It's great to see you.

[laughing] Yes! Whoo!

Cannon! Cannon!

I just want to see a motherfucking snake fight!

I'm off to repair my marriage. I'll see you bastards in a month.

See you in Venice. See you in Prague. [Fay chuckles]

You know my old friend George over there?

Oh, shit! Go! God! [speaking Spanish]

You need anything? I'm gonna fill this real quick.

to the latest of the moving picture's magic tricks."

I'm figuring out how to get the money.

That sad man over there?

The extras want to renegotiate their pay... you motherfucker!

Found it! It's a pin in Ruth's ankle.

I made that up.

If you keep playing flat, I'm gonna fucking headbutt you,

Okay? So? What do you think?

[bottle clatters]

[babbling] If I could just...

[crowd laughing]

[imitates rattling]

Nellie, cállate. You go to Mexico without me.

[shouts] Who the fuck invited her?

We have a serious fucking problem. What?

I want a divorce.

and I'll do whatever you need.

I just wanted to see if the phone worked."

[up-tempo jazz music playing]

[radio announcer] It's celebration time for Jack Conrad.

Incredible. Who are your influences?

For the lighting.

No! Stand... Stand... Stand back.

[guest 2] LaRoy's? [guest 1] Yeah.

Oh, I like this. Isolate the shoulders. What do you think?

Ha. That there is George Munn,

That was a butterfly.

I'm not mad anymore. Manny...

You think it works? It's great.

[sighs, chuckles]

[Thalberg] Jack Conrad has a good voice, is our biggest asset.

The money in the bag is prop money?

What I'm trying to say is Kinoscope can no longer employ you.