Tasty Mystery Baskets of Clips

FRANCOISE: It's the studio.
Let's go, people! Let's go.
We feel the pain of the loss, feel the grief.
Ah.
My film tanked. What if he fires me?
He said he's got a fire poker with your name on it,
You need an Italian to tell this tale.
Then I'm fired too.
the likes we've never seen before,
Sir.
I got Charlie here with me.
- MITCH: How we doing? - BERNIE: I'm good.
Those rushes looked great last night.
you better start acting like one.
I thought we were going to dinner.
You doing anything with it?
to tell me that.
[muttering] Americans.
Evil versus evil.
It's not about a gang.
put your cast of characters where you least expect them
But I have to be the one to write this.
What is this?
JACK: Well?
♪ Could secure you at the station ♪
Good evening, sir.
But I'm here to tell you so you can deal with it
AL: What? A scene about gangsters arguing over sauce?
You find me one book review in any language in the world
♪ When the trains come back
What do we got? Hit me.
Bluhdorn is Austrian. Make it universal.
I wanted to talk to you. You got a minute?
Great.
I'm good.
the power of Don Vito Corleone.
You're the ratfink who wrote that fucking book
It's a metaphor.
JACK: I've been making gangster movies
Three people came and--and no one bought a book.
Bernie.
Three days. I'm gonna hold you to that.
All right, listen up.
- Oh, you write comedy too? - Uh, no.
[chuckles] My God.
that you're qualified to do that, huh?
I'm back. I'm back. Whatever he said, he's lying.
Robert Redford.
Nice work, kiddo.
Workplace comedy set at a defense contractor.
♪
I don't even know what to write anymore.
It can't just be about the money.
Huh.
♪ Lie with you where the shadows ♪
♪
♪
when you really need to be a boss.
and I'm begging you to take it on.
Oh.
FRANCIS: [chuckles] Yes, that producer...
Nah, honey, I can't. I gotta get home.
Nice fucking ambush.
Who's the Don?
The Godfather has always sort of just been
If you do the movie.
You're not out of the woods, but, you know.
- but we had a meeting. - BOB: Oh, relax, Barry.
♪
She could've run anything.
Well, you didn't come all the way down here
I work with Jimmy fucking Cagney, my friend,
I can't believe you told him you read it.
Hiring you, yes.
Puzo's never written a film.
You know, you owe our friend a thousand dollars.
BOB: Ali MacGraw, meet Arthur Hiller.
- It's worth taking a shot. - It's a great idea.
21 Club, please.
♪
Those contracts need to be on my desk by the end of the day.
I need to be in the movies.
Yes.
not including what I owe my brother.
Yeah, true. So what?
Look, you make "Love Story,"
which we agree,